THE PROJECT
Combining elements, capturing the invisible connections that unite fragments of existence, stopping time, intercepting movement, harnessing chaos, freezing waves, revealing the imprints of life. The Spazuk/Bernardi collaboration brings together two artists from different generations, both harnessing the elements, and nature as the primal aspects of their creative process. Both ‘paint with light’ — Bernardi breaks down the photographic process to its core, using only light and water to create photograms. These contact prints, created in darkness illuminate the true nature of the fossil- like imprints, captured by the physical presence of the subjects themselves. Spazuk’s fumage process of painting with fire layers a fragile film of black carbon on the photograms. His masterful sculpting of this soot reveals images shaped by a light that glows against the watery surface of the silver-gelatine photographic paper, enkindling a sense of wonderment and whimsy. Their approaches stem from a similar intention to capture imprints of natural phenomena. They both explore different states of matter, one water, and the other fire. With a meticulous focus on the elusive, the collaboration provides an endless visual landscape to explore a vast chaotic entanglement of light and dark for one to get lost in, inviting viewers into a psychedelic state of observance, a pareidolic trance. The duo’s innovative and collaborative explorations create ethereal imprints by capturing traces of water, fire, earth, air, time, space, chaos and movement... in essence, Life.
Their work is an ode to the ephemeral, to impermanence. A reflection of Nature’s circumstance beautifully fated, both in light and dark. Laden with a profound and ever-present awareness of the fragility of natural order, the duo Spazuk/Bernardi, partner with the natural world to express their reverence towards it.
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(French-Canadian, b. 1960) Steven Spazuk paints with fire in a technique he refers to as “fumage,” reinventing traditional artistic approaches. Since 2001, Spazuk has refined this skill – creating exquisitely vivid figures and animals from the residue of his candle’s brushstrokes. To achieve his painterly depictions, Spazuk gently and deliberately directs a candle's flame to the surface of his panels. The fire scorches and kisses wisps of black carbon residue, which shapes the silhouettes of his figures. He then carefully scratches away and removes the soot to reveal each composition. In order to achieve color in his artworks, the artist often begins his pieces by applying acrylic paint before "smoking" them with fire. As he scratches away, he reveals the colors underneath, which help define the subjects of his works. The transparency, fluidity, and unpredictability of smoke affect his images and propel the evolution of his technique. The subjects of his work relate to the duality of his chosen medium. Fire has destructive and constructive properties, which can give life and take it away. His compositions allude to this force in nature, as they reflect the fragility and grit of life on earth.
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Oliver Bernardi (b. 1991, Montreal, Quebec) seeks to create lasting, tangible documents of the elusive and fleeting. With years in the darkroom experimenting and refining his image making techniques and processes, his hybridized approach of using elements of traditional and contemporary practices to further define, and shed light upon, his innate curiosities has led to the development of striking and profound imagery.Bernardi trained and studied through Dawson College’s Commercial Photography and Concordia’s Fine Art Photography programs before setting off professionally in Canada and abroad. Oliver’s precise perspective and contemplative nature have earned him international recognition.
A photogram is a camera-less contact printing technique which consists of capturing silhouettes left by the direct intervention, or shadow cast by an object that is placed upon on a photosensitive medium. A rudimentary technique at the very root of photography, namely the ‘writing of light’. It is a long and tedious process, which requires working in prepared darkrooms, and welcoming chaos as a creative partner. The beautifully unpremeditated part is compounded when the photosensitive paper is submerged under water, the waves, droplets and any other ripples are frozen by the flash of light.
Fumage is a technique that uses an open flame from a candle or a torch as a paintbrush. This process of applying fire to deposit traces of soot on the surface of a paper could also be defined as ‘writing with light’. The traces of infinitely fine carbon particles left by an oscillating flame create random strokes of captured smoke. Fumage also welcomes and embraces randomness and chaos. The fine deposits of soot remain extremely fragile and sensitive to contact which makes painting with this medium a delicate dance requiring mastery and patience. Left undisturbed, the soot reveals extreme details when utilized as a contact
printing surface. The combination of these two processes makes Spazuk and Bernardi’s biophilic work unique and irreplicable, as life itself.
THE PROCESS
2022 INTERVIEW
video by Araya Everett.
SELECTED WORKS
2021 -2022